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Viral But Not Valuable: How Social Media Is Turning Nigeria Into a Nation of Instant Judges, Online Bullies and Lost Opportunities


From democratising information and creating unprecedented opportunities for young Nigerians to fuelling cyberbullying, misinformation, character assassination and mob judgement, Nigeria’s social-media revolution is proving to be both a blessing and a dangerous distraction.

There was a time in Nigeria when a person’s reputation was built largely through years of hard work, character, professional accomplishments and the testimony of people who genuinely knew him or her. 

Today, a few seconds on a smartphone can turn an unknown individual into a celebrity, an ordinary disagreement into a national controversy, an unverified allegation into accepted fact and a private dispute into entertainment for millions.

That is the strange and increasingly complicated power of social media.

There is no denying that social media has transformed Nigeria in remarkable ways. It has democratised access to information, created new channels for businesses, opened doors for young entrepreneurs, given entertainers direct access to audiences and allowed ordinary citizens to participate in conversations that were once controlled almost entirely by traditional media and political institutions.

A young entrepreneur in Ibadan can promote a product to customers in Lagos, Abuja, London or New York without opening a physical branch in any of those cities, while a talented musician, comedian, fashion designer, photographer, writer or digital creator can build an audience from a bedroom with nothing more than a smartphone and an internet connection.

Yet somewhere in the middle of this digital revolution, an important question appears to have been lost: what exactly are Nigerians using this enormous power to achieve?

For many people, social media has become a marketplace of ideas, information, creativity and opportunity, but for others it has increasingly become a courtroom without judges, a newsroom without editors and a battlefield without rules.

Anyone with a smartphone can become a prosecutor, judge and executioner within minutes, and a person can wake up to discover that thousands of strangers have formed an opinion about his character, marriage, career, business or family based on a short video, a screenshot or a one-sided account that represents only a tiny portion of a much larger story.

By the time facts begin to emerge, the verdict may already have been delivered.

This is where one of the greatest dangers of Nigeria’s social-media culture lies. People who may never have the courage to confront another person physically can become extraordinarily bold behind a keyboard, while individuals who cannot understand or appreciate another person’s achievements sometimes find refuge in social media to ridicule, insult, undermine or disparage them.

A person who has spent years building a career may suddenly be described as a failure by someone who knows virtually nothing about his journey, while another person who cannot match someone else’s achievement may attempt to reduce that success to luck, family connections, political influence or fraud without presenting a shred of evidence.

In such an environment, envy can disguise itself as criticism, bitterness can masquerade as activism and disrespect can be marketed as fearlessness.

There is, of course, nothing wrong with criticism. A healthy democracy needs people who can question politicians, public officials, celebrities, businesses, journalists and institutions.

Accountability is essential, and nobody who chooses a public life should expect to be protected from legitimate scrutiny.

The problem begins when criticism abandons facts and becomes personal destruction. Someone who says, “I disagree with this decision and here is why,” is participating in public discourse, but someone who simply labels another person useless, corrupt, stupid or worthless without evidence is doing something entirely different.

Unfortunately, social media often rewards the second person more generously because insults travel faster than explanations, outrage generates more engagement than careful analysis and controversy attracts more attention than substance.

This has produced another disturbing contradiction: people who habitually attack others online sometimes present themselves as champions of free speech, yet when their targets respond, they suddenly describe the response as oppression, intimidation or an attempt to silence them.

Free speech, however, cannot reasonably mean that one person has an unlimited right to attack another while the victim is expected to remain permanently silent.

If criticism is legitimate, the person being criticised has the right to respond. If an accusation is made publicly, a rebuttal is not automatically oppression, just as defending one’s reputation does not amount to censorship.

This does not mean that every response should become another round of abuse. It means Nigerians must learn to distinguish between accountability and harassment, criticism and humiliation, disagreement and persecution. A society that gives people the freedom to speak must also encourage them to accept responses to what they say.

Perhaps one of the most dangerous features of Nigeria’s social-media culture is the speed with which people reach conclusions about matters they know little or nothing about. A headline is enough. A screenshot is enough. A 20-second video is enough. 

Sometimes, even a caption is enough. People may read neither the original statement nor the surrounding circumstances, yet confidently announce who is guilty, who is lying, who should be condemned and what punishment should follow.

Some people enter controversies simply because everyone else is talking about them, while others deliberately join because they know controversy can generate visibility, followers and comments.

For a growing number of social-media users, the question is no longer, “Is this true?” but rather, “Will this trend?”

That change in attitude is dangerous because when visibility becomes more important than accuracy, misinformation becomes commercially attractive. A misleading headline can generate more engagement than a carefully researched report, an edited video can produce more outrage than the complete footage and a fabricated quotation can travel much farther than the original speech.

The arrival of artificial intelligence has made the situation even more complicated, with manipulated photographs, cloned voices and fabricated videos becoming increasingly difficult for ordinary users to identify.

Nigeria has repeatedly experienced the consequences of this culture, particularly when politically sensitive issues, celebrity controversies, insecurity, religion or public scandals are involved.

Information can travel across WhatsApp, Facebook, X, Instagram and TikTok within minutes, moving from one platform to another until people begin to mistake repetition for verification. A claim may be false when it is first posted, but after thousands of people repeat it, it suddenly acquires the appearance of truth.

That is how misinformation wins.

Recent controversies involving Nigerian celebrities and social-media personalities have also demonstrated how serious issues can quickly become entertainment. 

The prolonged controversies surrounding social-media commentator Martins Otse, popularly known as VeryDarkMan, provide a striking example of how online influence can generate both enormous public attention and serious legal consequences.

His confrontational style has attracted millions of viewers, but it has also produced disputes involving allegations of cyberbullying and defamation.

In May 2025, Otse was re-arraigned before a Federal High Court in Abuja on five counts relating to alleged cyberbullying involving Nollywood actresses Iyabo Ojo and Tonto Dikeh, as well as musician and producer Samklef, allegations to which he pleaded not guilty. 

Other legal controversies involving Otse have also featured public figures including human-rights lawyer Femi Falana and his son, musician Falz, demonstrating how online disputes can move beyond comments and hashtags into formal legal battles.

What makes such controversies particularly significant is not simply the personalities involved but the culture surrounding them.

Serious allegations can quickly become memes, fan wars, insults and competing hashtags, with supporters becoming so emotionally invested in personalities that they stop asking whether an allegation has been established by evidence.

Critics can become equally invested in seeing the person they dislike disgraced, regardless of whether the facts support the narrative.

Before long, the substance disappears beneath the spectacle.

The prolonged controversies surrounding the late singer Ilerioluwa Aloba, popularly known as Mohbad, also demonstrated both the power and the danger of social media.

Public outrage helped keep attention on questions surrounding his death and gave ordinary Nigerians a powerful platform to demand answers and accountability.

At the same time, competing allegations, counter-allegations and speculative claims frequently circulated online before they could be independently established.

The distinction is important because social media has every right to ask questions that authorities must answer, but asking questions is not the same thing as declaring conclusions.

There is a fundamental difference between asking, “Who is responsible and what does the evidence show?” and announcing, “We already know who did it.” The first is a demand for justice; the second can become a social-media verdict capable of destroying reputations before due process has taken place.

Celebrity disputes provide another window into this problem. Arguments involving personalities such as Portable and VeryDarkMan have at various times developed into highly publicised exchanges involving accusations, insults, threats and counter-threats, with audiences following every development almost like episodes of a television drama.

At one point, Portable publicly rejected a reported ₦100 million offer to fight VeryDarkMan and demanded ₦1 billion instead. What might ordinarily have remained a disagreement between two public figures became a major source of online entertainment.

This raises a bigger question about the kind of culture Nigerians are creating.

When every quarrel becomes content, every disagreement becomes a trend and every controversial statement becomes an opportunity for engagement, people can gradually begin to believe that visibility requires confrontation, popularity requires controversy and success is measured by how many people are talking about you.

That is a dangerous lesson for young people.

Yet it would be unfair to portray social media as an entirely destructive force because the opportunities it has created are enormous.

It has helped businesses reach customers, entertainers build audiences, journalists distribute information, activists organise campaigns, professionals develop personal brands and young Nigerians showcase skills without waiting for traditional gatekeepers to approve them.

A graphic designer can display a portfolio to potential clients, a fashion designer can build a customer base, a food entrepreneur can advertise directly to consumers, a comedian can build an audience through short videos and a software developer can demonstrate his abilities to employers anywhere in the world.

Nigeria’s creative economy is already becoming a significant economic force, but many Nigerians appear more interested in consuming other people’s content than learning how to create value from the same platforms.

That may be one of the biggest missed opportunities of the digital age.

A young Nigerian can spend several hours following celebrity arguments and online drama, yet complain that there is no time to acquire a marketable skill. 

Someone can know every detail about the latest relationship controversy involving an influencer while knowing almost nothing about artificial intelligence, digital marketing, programming, data analysis, cybersecurity, financial literacy, agriculture, export opportunities or entrepreneurship.

The tragedy is not that people relax and entertain themselves online. Everyone deserves entertainment. The real problem begins when entertainment becomes the dominant use of a technology that could transform an individual’s economic future.

A smartphone can be a classroom, an office, a shop, a studio, a newsroom, a marketplace and a bridge to international opportunities. Yet the same smartphone can become an instrument for endless arguments, cyberbullying, gossip and distraction.

Nigeria’s young population should therefore be asking a different question: “How can this technology work for me?”

Instead of spending every morning asking who is trending, young Nigerians can ask what skill they can learn that day. Instead of fighting online battles involving celebrities they have never met, they can build portfolios, advertise businesses, learn new technologies, connect with professionals and search for opportunities beyond their immediate environment. 

Instead of measuring their worth by likes, followers and comments, they can measure progress through knowledge, skills, income, character and meaningful accomplishments.

This is particularly important because social-media algorithms are not designed primarily to make users wiser. They are designed to keep users engaged, and content that generates strong emotional reactions can therefore receive enormous attention. Anger, fear, ridicule, outrage and controversy can all become fuel for visibility.

A person posts something outrageous, people become angry, thousands comment, others quote the post to condemn it, more people join the conversation, the platform detects enormous engagement and the content travels even further. The original poster gains visibility, and the cycle begins again with another provocative post.

Before long, controversy becomes a business model.

This is why Nigerians must stop confusing popularity with credibility. A person can have millions of followers and still be wrong. Someone can have a small account and possess extraordinary knowledge. A person can speak with confidence and still have no evidence, while another can be relatively unknown and still be telling the truth.

Followers are not qualifications.

Virality is not verification.

Volume is not evidence.

Nigeria therefore needs a new culture of digital responsibility. Government has a role to play in protecting citizens from criminal abuse and dangerous misinformation, but regulation must not become an excuse to silence legitimate criticism.

Media organisations must maintain professional standards even when social media moves faster than traditional journalism, influencers must understand that influence carries responsibility and parents and schools must teach young people digital literacy rather than merely warning them about the dangers of the internet.

Individual users, however, have perhaps the greatest responsibility.

Before sharing a sensational claim, Nigerians should ask where the information came from, whether the source is credible, whether the video has been edited, whether the photograph is genuine, whether another explanation exists and whether the person being accused has been given an opportunity to respond.

More importantly, users should ask themselves whether they would say the same thing if the person concerned were physically standing in front of them.

That simple question could save many people from saying things they would never have the courage to say face-to-face.

Nigeria should also learn to distinguish between a person’s right to criticise and another person’s right to dignity. Being famous does not make anyone immune from criticism, but being famous also does not mean that every insult, allegation or personal attack should be accepted as the price of success.

A person who has worked for years to build a reputation should not have that reputation destroyed by someone seeking attention.

At the same time, people in positions of influence must understand that public visibility comes with responsibility.

Celebrities, politicians, influencers, journalists and business leaders have every right to defend themselves, but they must also recognise that their responses can either calm a situation or turn a small disagreement into a national spectacle.

Social media is therefore not the enemy. The problem is how society chooses to use it.

The same platform that allows someone to destroy another person’s reputation can help a small business find its biggest customer.

The same TikTok account being used to fight over celebrities can be used to market a product. The same YouTube platform being consumed for endless gossip can teach coding, video editing, photography, artificial intelligence or digital marketing.

The same X account being used to insult politicians can be used to build a professional network and attract international opportunities.

The technology is neutral; human choices give it direction.

Nigeria has been handed an extraordinary communication revolution, but the country is still learning how to handle the power that comes with it. Social media has given ordinary citizens a voice that previous generations could hardly imagine, and that achievement should not be dismissed.

What Nigerians must reject is the idea that having a voice gives anyone the right to destroy another person without evidence.

A healthy digital society should not be built around the loudest person in the room, the most controversial influencer or the most provocative post. It should be built around facts, responsibility, creativity, enterprise, knowledge and respect for human dignity.

Perhaps the greatest challenge is therefore not getting Nigerians off social media but getting them to use social media more intelligently.

Young Nigerians must realise that the internet can either become a place where they spend their most productive years watching other people become successful or a platform through which they build their own success.

They can remain permanent spectators in other people’s controversies or become active participants in the digital economy.

They can chase every trend or create something that becomes a trend.

They can spend their energy destroying reputations or use that same energy to build businesses, careers and communities.

Ultimately, going viral is not the same thing as making a difference. A person can dominate social media today and be forgotten tomorrow, while someone quietly acquiring knowledge, building a business, developing a skill or helping others may be creating a legacy that survives long after the latest trend has disappeared.

Nigeria does not need less social media; it needs more wisdom in using it.

The country needs fewer instant judges and more responsible citizens, fewer online bullies and more constructive critics, fewer people desperate to be seen and more people determined to create value, fewer consumers of controversy and more creators of opportunity.

Social media has given Nigerians an extraordinary voice. The next step is learning how to use that voice without turning it into a weapon, and how to use the same technology not merely to follow the world but to build a better place in it.

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