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Boye Nation/JAF Concert: Pasuma’s Absence, Adelabu’s Denial Deepen Political-Fuji Intrigue In Ibadan


What was billed as a colourful fusion of music, youth mobilisation and political realignment at Ibadan’s Adamasingba on Monday has left behind another intriguing question: Why did Pasuma, one of the biggest names on the advertised line-up, fail to appear?

The Boye Nation and JAF Movement Concert, held at the Lekan Salami Stadium, Adamasingba, had generated considerable anticipation before the event, with Fuji stars including Alabi Pasuma, Taye Currency and Tiri Leather listed among the major performers.

While Taye Currency was part of the musical atmosphere surrounding the gathering, Pasuma’s absence became one of the noticeable talking points of an event that was already carrying considerable political weight.

No public statement from Pasuma or his representatives has been located explaining why he did not appear at the concert. Consequently, any attempt to establish his reason for staying away would, at this stage, remain speculation rather than an established fact.

That uncertainty, however, has not stopped political and entertainment watchers from connecting the development to the controversy that preceded the event.

At the heart of that controversy is former Minister of Power, Chief Adebayo Adelabu, whose name had repeatedly surfaced around Ajiboye Sangogade, popularly known as Boye Nation, before the concert.

Sangogade had previously been identified publicly as Adelabu’s Personal Assistant and political associate. His decision to lead supporters into the Allied Peoples Movement (APM) therefore generated questions about whether his political movement represented a wider shift within Adelabu’s camp.

Adelabu has now moved decisively to separate himself from that development.

In a statement issued through his Media Office, Adelabu said Sangogade was no longer his Personal Assistant and had ceased to have any official, political or representational relationship with him.

The former minister further stated that Sangogade’s defection, rally, statements and political activities were personal to him and should not be attributed to Adelabu.

His office also reaffirmed that Adelabu remains a member of the All Progressives Congress (APC) and has no intention of leaving the party. (Newsense⁠)

That clarification is significant because the concert itself was not merely an entertainment programme.

Held under the Young, United and Unstoppable (YUU) platform, the gathering combined music with youth mobilisation and the formal movement of Boye Nation supporters into the APM fold. Governor Seyi Makinde attended the event, while political figures and supporters gathered alongside entertainers. 

Sangogade himself also sought to draw a clear line between his decision and his former principal, saying at the gathering that he was a former Personal Assistant to Adelabu and that his decision to join the APM was independently taken.

Yet the political symbolism of the gathering was difficult to ignore.

A figure once closely associated with an APC heavyweight was now publicly leading a political movement into another party, while Adelabu was simultaneously reaffirming his loyalty to the APC and President Bola Ahmed Tinubu.

That political backdrop inevitably gave the entertainment side of the concert an additional layer.

Pasuma’s name had featured prominently in publicity for the event, making his absence particularly noticeable.

His long-standing association with Adelabu’s political circle also meant that his non-appearance could easily become a subject of political interpretation.

But there is an important distinction between association and evidence.

There is presently no confirmed statement from Pasuma saying he stayed away because of Adelabu’s position, Sangogade’s defection, the APM event or any disagreement over the political character of the concert.

Likewise, Adelabu’s public clarification does not establish that Pasuma’s absence had anything to do with the former minister’s decision to distance himself from the event.

Still, political watchers have been asking a compelling question: Would Pasuma have been comfortable appearing at an event publicly associated with a former aide who had moved into the APM, at a time when his own name was being linked with Adelabu?

That question becomes even more interesting because of the Fuji dimension.

Before the concert, attention had already centred on the possibility of Taye Currency, Pasuma and Tiri Leather appearing within the same entertainment space.

Taye Currency and Pasuma have had a relationship marked by periods of tension and reconciliation, while Tiri Leather has been associated with Pasuma’s musical camp.

Their possible convergence at Adamasingba had therefore promised a moment that could have attracted attention far beyond the political programme.

Instead, Pasuma’s absence changed the equation.

Tiri Leather and Taye Currency could participate in the event without the much-anticipated presence of the Fuji heavyweight whose appearance might have produced another layer of drama, reconciliation or simply intense public scrutiny.

That does not mean that a reconciliation was planned or that Pasuma’s presence would necessarily have produced any confrontation or rapprochement. There is no confirmed evidence that such a scenario had been arranged.

But in the highly watchable world of Fuji music, who appears, who does not appear, who shares a stage and who keeps away can sometimes generate as much conversation as the performance itself.

The political implications of the evening were equally difficult to miss.

Makinde received the defectors at Adamasingba as Boye Nation formally aligned with the APM, turning what could ordinarily have been a music concert into a significant political gathering ahead of the 2027 elections.

Reports from the event also indicate that the gathering attracted political candidates, party officials and supporters from different parts of Oyo State. (New Telegraph⁠)

For Adelabu, however, the message from his camp was unmistakable: Boye Nation’s political decision should not be interpreted as his own.

For Sangogade, the message was equally clear: his political movement was his personal decision.

For Pasuma, there remains a conspicuous silence over his absence.

And that silence has now become part of the story.

Whether his non-appearance was caused by a scheduling issue, a personal decision, a professional consideration or something connected to the political atmosphere surrounding the event remains unknown.

Until Pasuma or his management provides an explanation, it would be premature to present any one theory as the reason.

What is beyond dispute, however, is that the Boye Nation concert has produced a fascinating intersection of political realignment, personal loyalties, Fuji relationships and public perception.

The event was designed to showcase youth mobilisation and entertainment, but it has left Oyo’s political and entertainment communities with another conversation altogether.

Boye Nation has moved politically. Adelabu has publicly drawn his line. Taye Currency has remained part of the musical picture. Tiri Leather has featured in the Fuji equation. And Pasuma’s conspicuous absence has supplied the mystery.

For now, one question continues to hang over the Adamasingba affair:

Was Pasuma simply unavailable — or did he deliberately stay away from a stage where music, politics and old relationships were all converging?

Until the Fuji star speaks, the answer remains his to give.

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